Jacques Gamelin, Date of Birth, Place of Birth, Date of Death

    

Jacques Gamelin

French painter

Date of Birth: 03-Oct-1738

Place of Birth: Carcassonne, Occitania, France

Date of Death: 12-Oct-1803

Profession: painter, university teacher

Nationality: France

Zodiac Sign: Libra


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About Jacques Gamelin

  • Jacques Gamelin (October 3, 1738 – October 12, 1803) was an artist born in Carcassonne, France, the son of a successful merchant.
  • After receiving an education from the Jesuits, he went into the service of Nicolas Joseph de Marcassus, baron de Puymaurin (1718–1791), a wealthy industrialist of Toulouse, in order to learn the ways of business.
  • Puymaurin quickly saw that his young assistant had little talent or interest in business but showed great promise as an artist.
  • Gamelin's father rejected Puymaurin's suggestion that Jacques be sent to an art academy, so the baron paid his way at the AcadĂ©mie royale de Toulouse himself.
  • After five years study, Jacques Gamelin won the AcadĂ©mie's first prize and he went to Paris to continue his studies.
  • Gamelin later went to Rome with Puymaurin's financial assistance to study under Jacques-Louis David and Joseph-Marie Vien and eventually became a painter to Pope Clement XIV.
  • On the death of his father, which left Jacques a wealthy man, he returned to Toulouse where he taught at the AcadĂ©mie.
  • He is most known today for his paintings and engravings of battle scenes, which can be found in art museums throughout France.
  • Jacques Gamelin died in Carcassonne on October 12, 1803. When Jacques Gamelin returned to France after his father's death, he undertook his great work, Nouveau recueil d'ostĂ©ologie et de myologie, most likely funding its publication using some of his great inheritance.
  • The work is known for its display of both talent and imagination, with striking scenes of the Resurrection, the Crucifixion, and skeletons at play.
  • Aside from the full-page copperplate illustrations by Gamelin and the engraver LavalĂ©e, the work contains a number of intriguing vignettes on the title pages and elsewhere, which show battle scenes, visitations by death on unsuspecting revelers, and the anatomical artist's studio.

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