He was an associate of Django Reinhardt and the brother of guitarists Baro and Sarane Ferret.
He recorded with his own sextet in Paris in the 1940s and continued performing there, with occasional recording sessions, until his death in 1989.
He was noted for a musical style that incorporated Russian and Hungarian influences and lived long enough to see a resurgence of interest in gypsy jazz in which he was recognised as one of the great surviving players of the genre.