Sabra Moore (born January 25, 1943) is an American artist, writer, and activist.
Her artwork is based on re-interpreting family, social, and natural history through the form of artist's books, sewn and constructed sculptures and paintings, and installations.
She was a member of the Heresies Collective, the Women's Caucus for Art, and was a collaborator of the art collective RepoHistory.
Moore is known for her large-scale, collaborative exhibitions of women's artwork including Views by Women Artists (1982), and the collaborative shows Reconstruction Project (1984) and Connections Project/Conexus (1987).
She has exhibited her artwork widely since 1969 including 18 solo exhibitions and over 130 group exhibitions.
She has authored two books, Petroglyphs: Ancient Language/Sacred Art (Clear Light Publishers 1997) and Openings: A Memoir from the Women’s Art Movement, New York City 1970-1992 (New Village Press 2016).
Moore also worked for thirty years as a freelance photo editor for New York-based publishers.
Her artist's books can be found in several museum collections including those of the Brooklyn Museum and the Museum of Modern Art in NYC.
The feature-length documentary film The Heretics (2011) includes her artistic and political work.