He went on to exhibit in major galleries such as the Salon des Tuileries and soon earned his first special exhibition.
In the preface to the exhibition catalogue Tristan Bernard commended him as "A good painter and a true interpreter of nature".
During the difficult economic times of the 1930s Brusset survived as a decorator, most notably at the Cannes Film Festival.
As a result of their successful exhibition of his works acquired by the Delgado Museum of Art in New Orleans, Brusset was made a Citizen of Honour of the town and Colonel of the Guard of Honour of the Lord Governor of Louisiana, an honour never previously conferred upon a foreigner.
The exhibition then visited many cities, including Memphis, Dallas, San Francisco, New York, Miami, Montreal and Toronto.
In 1955 Brusset returned to France, where an exhibition of his ceramics presented at Cannes won him the award of the L'Academie Internationale de la Ceramique of Geneva.
In 1956 he collaborated with Jean Cocteau in the decoration of the chapel of Saint Pierre in Villefranche-sur-Mer; and in 1957 he exhibited at the Galerie VendĂ´me in Paris.