Laurent de Brunhoff (born August 30, 1925) is a French author and illustrator, known primarily for continuing the Babar the Elephant series of children's books, created by his father, Jean de Brunhoff.Brunhoff was born in Paris.
They loved the story about the little elephant so much that they asked their father, who was an artist, to draw pictures for them of the elephant world their mother had described.
But, wishing to maintain his tie to his father and the imaginative world of his childhood, he turned back to the character his father had drawn and taught himself to draw in his father's style.
What Christine Nelson calls their "intergenerational artistic partnership" had begun even earlier, when Laurent was a teenager, and was asked to do the color for several pages which his father had left in black and white.
His own first Babar book, Babar et ce coquin d’Arthur (Babar’s Cousin, That Rascal Arthur), was published in 1946 when Laurent was 21.
He went on to publish over forty-five more Babar books, as well as creating children's books with characters of his own invention, Bonhomme and Serafina, among others.
He was married to Marie-Claude Bloch in 1951 and together they had two children, Anne, born 1952, and Antoine, born 1954.
They separated in 1985 and divorced in 1990.
In 1985 de Brunhoff moved to the United States, living in Middletown, Connecticut with writer and Wesleyan University professor Phyllis Rose.
In 2008 the Morgan Library and Museum in New York mounted a major exhibition of original drawings and manuscripts by Jean and Laurent de Brunhoff, for which a catalogue was published, Drawing Babar: Early Drafts and Watercolors by Christine Nelson, including an essay about Babar by Adam Gopnik, which was also published in The New Yorker.
It celebrated the gift to the Morgan by Laurent de Brunhoff and his brothers, Mathieu and Thierry, of the manuscript of Jean de Brunhoff's first book, Histoire de Babar (The Story of Babar, 1931) and by Laurent of the manuscript of his first book, Babar et ce coquin d'Arthur ( Babar's Cousin: That Rascal Arthur, 1946).
There have been smaller shows at many museums throughout America, including the Art Institute of Chicago, the Dixon Gallery in Memphis, the Speed Museum in Atlanta, and the Davison Center of Wesleyan University in Connecticut.
In addition, de Brunhoff has exhibited frequently at the Mary Ryan Gallery in New York, which represents his work and his father's.
The work of Jean and Laurent de Brunhoff has also been the subject of books by Anne Hildebrand, Jean and Laurent de Brunhoff: The Legacy of Babar (New York: Twayne, 1991) and by Nicholas Fox Weber, The Art of Babar (New York: Harry N.